rosemary’s baby (1968)
Roman Polanski
mother! (2017)
Darren Aronofsky
the end of evangelion (1997)
Hideaki Anno
this is actually so wild to me because of the violence against women used in all three of these movies, with the body of the mother as the vessel for pain and suffering
+ aronofsky’s plagiarism is well established. he’s a hack who purchased the rights to satoshi kon’s perfect blue to steal wholesale scenes for black swan and requiem of a dream without fear of suit. knowing him it’s likely he turned to eoe for inspiration, and knowing anno he likely borrowed from karel thole likewise
