EVA Analysis: Misato Katsuragi

ritsumaya:

Buckle up. It’s time to go on a massive analysis of Neon Genesis Evangelion’s unsung secondary protagonist, Misato Katsuragi, presented by GC fiendswithbenefits.

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Featuring!

  • A look at some of Misato’s most important relationships, such as Ritsuko, Shinji, and Ryouji.
  • An explanation of the infamous “kiss” scene from End of Evangelion.
  • The three roles Misato wears and conflates.
  • Who is Misato, really?
  • And more!

She’s not just the attractive older woman, y’know.

Warnings for suicide, thanatophobia, discussion of sex, discussion of parental abuse, mothers and fathers, violence, abuse, profanity, abandonment, nudity, pregnancy, general negativity, and basically any trigger warnings for Evangelion etc.etc. It’s also pretty long, clocking in at ten thousand six-hundred twenty-five words. If I miss anything, let me know.

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ritsumaya:

i am so disgusted by the fact that so many people take ayanami rei’s genuine development, multilayered complexity, struggle with an abusive caretaker, existential conflict, genuine difficulty with expressing emotion and socialising due to an isolated and artificially rigid upbringing, and acceptance of an inhuman origin even whilst validating a very human identity - and transform rei into a generic, childlike moe archetype that does not know or understand anything beyond humbly accepting orders from a master

What are the Angels trying to do, anyway?

circuitbird:

It’s time for another Evangelion post, this time to address a question sertraline-queen posed about whether the Angels are attacking NERV in an attempt to stop Gendo and his machinations.

A while back someone asked, “Can you please explain the Human Instrumentality Project like I’m five?” and I hope that post can partially clarify the answer. It will also give you the basic rundown of SEELE’s goals and why they are actually disparate from Gendo Ikari’s.

As far as I can tell, the answer to that question — whether the angels are conscious of Gendo or SEELE’s goals and wish to stop them — is no. Remember, the Angels are Adam-derived beings (that is, borne from a Seed of Life and not a Seed of Knowledge) and their behaviors more or less conceptually echo this. While they are far from totally unconscious creatures, they do behave very much like children or babies. They have a basic survival drive, exhibited by their retaliation against NERV’s attacks, but whether they have a unified or even sensible motive is unclear. Kaji suggests that their reasoning is varied: some of them are looking to recover Adam and wipe out mankind, some are looking to engage or “reunite” with Lilith, and some — according to him — seem to have no motive whatsoever. Now, I’m not sure how accurate his assessment actually is, although the actions of the various angels would corroborate these conclusions. I think the only thing we can safely surmise is that the Angels have this intense, passionate drive to “get at” what is fundamentally their parent, Adam, or what arguably represents an object of sexual unification, Lilith.

In jest and in passing I have suggested that the Angels are “pissed,” but if they feel any rage, I think it is over these figures — parental and sexual objects — being made inaccessible to them, prompting a reaction that is like a kid single-mindedly shrieking for what it wants and ignoring anything unrelated. Whether or not they have some complex reason for their behavior is symbolically unnecessary, and I doubt they do; I think the Angels’ activity is meant to represent the unconscious desire to essentially crawl back into the womb (see: Otto Rank and The Trauma of Birth) or, alternatively, fulfill a sexual inclination (see: Freud). They don’t grasp at Adam or Lilith very elegantly, as is to be expected of a life form that lacks a full grasp of the meaning of its own intent; they seem sort of like naive, scared, and relentless id-machines. Aside from Zeruel, whether they feel a discrete antagonism toward humans specifically is debatable.

When the Angels DO express any sort of discernible reasoning, it is emotional and childlike in nature — and Kaworu, Tabris, displays these characteristics as well (albeit with more awareness and complexity than previous angels, presumably because he contains human DNA). Armisael is capable of expressing pain and a need to merge with the nearest entity to try and resolve that pain, but it lacks the insight to characterize what it is feeling as loneliness without Rei’s “help.” And Armisael communicates strictly through mimicking her image — like a baby, it doesn’t yet have a fully developed sense of self; instead, it just copies what it sees and pushes to do what it desires (at Rei’s obvious expense).

You do have to wonder why the First Ancestral Race, upon the knowledge that it was going to become extinct, would decide that its descendants could not possibly be endowed with both the Fruit of Life AND The Fruit of Knowledge, even though they themselves possessed both; recall that their Lances of Longinus are programmed to prevent this evolution from occurring again. I’m inclined to believe that there is something about this dual nature that originally led to the FAR’s own destruction, hence why they would try to protect their own progeny from inheriting the condition. But we are unlikely to ever get an answer beyond what we feel suits our own personal interpretation of events.

Ritsuko/Maya is canon in the Rebuilds.

No, seriously. Maya’s unrequited crush on Ritsuko in Neon Genesis Evangelion isn’t up for debate, but what many people miss is that Anno’s secretly upgraded their relationship in Rebuild. (This isn’t the first time a canon gay NGE relationship has seen an upgrade in the movies. See: Kawoshin.) The clues are buried throughout, and Anno’s left us to unearth them.

There’s this super interesting article that provides very compelling explanations for some of the visual/thematic clues present (shortchanging Ritsuko’s black and white cat trinkets for two black ones, by way of example) that clarify a secret canon relationship between the two. 

If you can’t get Google Translate to work its magic on the article, a sufficient English translation is available under the cut:

Keep reading

Your tags on that kawrou post are perfect. You made me laugh so hard. Kawrou, you really blew it buddy.

ritsumaya-deactivated20160612:

3.33 Kaworu really makes me want to bite through my space bar and ascend to the next direction of pure, unadulterated anger. Certainly, characterisation in the Rebuild of Evangelion series in general was almost certainly intended to piss off fans (or rather, to pander to certain demographics to showcase how incorrect those demographics’ views of “what Evangelion should be” are, but that’s another post for another time and is more speculation of Studio Khara’s motives than actual analysis/etc.), but 3.33 Kaworu/Qworu strikes me as a particularly obvious example.

Brief discussion of anime Kaworu, Q Kaworu, and the disparities therein below the cut.

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Anonymous
I have gotten the impression that you really like Mari Makinami. Could you explain why? Because she was introduced so late in the game, her character design (personality wise) and position in the anime has always seemed a little rushed to me.

circuitbird:

Introduced “late in the game,” with actual motives and alignment shrouded in mystery, and serves a major role as a foil/object of interest for another character…

Maybe you already see what I’m getting at here.

I don’t really understand the disregard for Mari from the perspective you just outlined, because it also describes Kaworu. Why isn’t he similarly written off by the fanbase?

Mari may be new, and we may not understand that much about her, but that doesn’t mean she isn’t a valuable and thought-out addition to the series. We have very little idea what she’s up to, but I wouldn’t confuse that with poor development; I’d argue that she has a very distinct personality and one that suggests real depth, the same way Kaworu’s speech and behavior — though we get comparatively little of it — implies as much complexity. Hideaki Anno may be wacky, and he is definitely reticent, but rushed he is not. Quite the opposite. I think he enjoys taking his sweet ass time.

I am a fan of Mari because she is passionate, funny, irreverent, and quirky. She’s possibly the only character that can go toe-to-toe with Asuka in a way that she actually respects. In fact, I see her relationship with Asuka as comparable to Shinji’s relationship with Kaworu. I’m biased as a hardcore Asuka/Mari shipper, but I’m very happy about their dynamic thus far, and excited to see where it goes.

I honestly think some Eva fans are disappointed by Rebuild’s direction come the end of 2.0/3.0 and are simply misdirecting those feelings at the glaring bit of novelty, which is Mari Makinami. I urge you to give her a chance. At least until 3.0+1.0.

silverfoxin:

can we talk about yui ikari more

can we talk about how she was a truly brilliant scientist who came up with the first functioning EVA after years and years of work plus the ultimate sacrifice?

can we talk about how she still did her duty as a freaking EVA?  Nevermind how that must have affected her mental state and her worries over shinji?

can we talk about she was so important to gendo and fuyutsuki that they (with ritsuko’s help) made an entire army of clones to fulfill her wishes, and to close the holes in their hearts and to attempt to be closer to her?

can we talk about how she masterminded the entire freaking set of events in evangelion, way before any of it happened?  (and smashed the attempts of SEELE at their own thing despite their ridiculous resources?)

can we talk about how she never lost hope for humanity, even seeing the absolute worst in her loved ones?

can we talk about how her final moves were to sacrifice her connection to the entire world and to float in space for eternity, just to see humanity have a chance for happiness?

we need to talk more about yui ikari more

C