evangelion (and its manga series) were committed to realism to the extent that family members actually looked biologically related - in general, this is difficult to achieve in any animation medium, where stylistic convention can contribute to same face syndrome.
shinji is a perfect composite of gendo and yui’s features, but in a natural, effortless way - he’s not a random synthesis of “gendo’s eyes” and “yui’s chin” or whatever. rei looks like a young yui, but again the facsimile isn’t forced - it’s just enough to color naoko immediately suspicious, but not enough to arose suspicion from everyone everywhere. ritsuko and naoko share the same power brow and pointed chin - the show even went out of its way to explain ritsuko’s blonde hair as a result of repeated hair coloring, a slight of authenticity not often broached in anime. in the manga, kaji and his younger brother look so alike yet apart, and you can easily pick them out from a crowd of other nameless kids - this is really impressive, considering the medium.
rebuild isn’t interested in having relatives’ looks cohere. sakura and toji don’t look related - which is especially heinous considering toji’s looks are so pronounced and iconíqq (flat chin, dark skin... compared to sakura’s boringly petite and pale features) anno is on record saying his only goal for sakura was for her to be “cute”, so maybe he thought he couldn’t succeed if she looked too much like toji. trash.
i’m screaming that naoko akagi, chief executive scientist slash supercomputer bioengineer, likely 1) met misato and kaji in college, 2) interacted with them in some capacity, and 3) actually enjoyed them as human beings. did misato invite her to a thursday bar crawl? did kaji call her a milf? did naoko find their bumbling idiot comedy routine endearingly hilarious? how fiercely did ritsuko regret her decision to introduce the three? i have a lot of questions
re: gendo ikari, and how gendo as a character is talked about within the fandom and the selective attention/dissonance that’s implicit in the framing of him solely as “The Bad Dad™”
when i think of gendo, i don’t necessarily zero in on his shitty parenting, because that’s basically a given for any parent in eva ever. i think of his using women – orienting women so that they directly (rei, naoko, ritsuko) or indirectly (misato, asuka) further his goals. obviously yui (and rei iii, since she’s ‘half’ yui) beatifically trumps his ace in eoe, but for the most part, he exercised unlimited amounts of emotional, physical, and psychological control on rei i+ii (and the whole thing is excruciatingly uncomfortable and suggestive in its visual language - something that i hardly, if ever, see people talk about); he used naoko/ritsuko for their minds and their bodies; it’s suggested that he deliberately capitalized on misato’s righteous anger by allowing her access into the paramilitary+gehrin, and what would later become nerv. remember when fumihiko tachiki said that gendo embodies the central core of evangelion, in that everyone’s moving around him while he stays still? passive, atypical control – even his relationship with shinji is unassertively neglectful. gendo doesn’t need to do anything because he’s relying on what’s dubbed ‘divine feminine energy’ (ultimately realized in lilith, his secret ace in the hole) to do his bidding for him.
i’m not very interested in gendo commentary/analysis/etc that acts like his neglectful parenting is the main cornerstone of his character, especially since that doesn’t uniquely differentiate him as a character from dr. katsuragi, naoko akagi, asuka’s father, etc. gendo being a terribad father isn’t the point – gendo is more so an expression of insidious power, masculinity, and immortality. and i think people stress on his parenting because shinji is the main character, and by being constantly privy to shinji’s adolescent frustrations and anxieties it’s harder to see how shinji and gendo are so fundamentally alike – more than anyone is willing or ready to admit. because what does shinji end up doing with his adolescent frustrations and anxieties? he takes them out on asuka, rei, and misato. the “gendo as the nondescript, one-note evil mastermind dad and shinji as the flawless cinnamon roll we must protect at all costs” is so hilariously ironic for that reason.
it crushes my spirit that the adults of evangelion aren’t talked about more. especially misato; she’s intended to be the secondary protagonist yet is talked of as though she were a supporting character, a sidekick, or a deuteragonist - forever doomed to be a talking point to the extent that her actions motivate shinji’s personal growth
whatever it is that makes evangelion good, misato, ritsuko, kaji, yui, fuyutsuki, and gendo are just as emblematic as the pilot kids. all of these characters have compelling and interesting stories of their own. but there’s nary a whisper when the adults get misinterpreted among casual and serious fans alike; the show goes to great lengths to debunk a lot of popular fandom interpretations that persist to this day (for example, think about how many people assume misato is a slut with a high “body count” when the show explicitly mentions her only having been with one man)
if you’re watching nge, focus on the eva adults! their backstories, their motivations, the parts of themselves they keep hidden or concealed. there’s plenty to learn and love by watching misato, ritsuko, and kaji’s old friendship that you can’t get by watching shinji, asuka, and rei interact with each other. you’re missing out, otherwise
Neon Genesis Evangelion Gifset Series - PARENTHOOD
“Through the blur, I wondered if I was alone or if other parents felt the same way I did - that everything involving our children was painful in some way. The emotions, whether they were joy, sorrow, love or pride, were so deep and sharp that in the end they left you raw, exposed and yes, in pain. The human heart was not designed to beat outside the human body and yet, each child represented just that - a parent’s heart bared, beating forever outside its chest.” (x)
