Anno doing what he does best: iterative foreshadowing. Misato, Ritsuko, and Kaji are the only characters that die by the gun, and these two scenes hint at all three deaths with laserpoint exactness. Look at the position of Misato’s gun: she aims at the back of Kaji’s head and the crown of Ritsuko’s spine. Ritsuko later dies from a gunshot wound through the spine, and well – Kaji’s corpse isn’t shown, but you can make the required leaps of imagination.
Misato confronts both Kaji and Ritsuko in the deepest belly of NERV, which is where she will eventually die. Both Kaji and Ritsuko cross-reference each other as they double-cross. Consider the history between the trio and you have what is best summed up by Kureishi: “Soon we will be strangers. No, we can never be that. Hurting someone is an act of reluctant intimacy. We will be dangerous acquaintances with a history.”
recurring visual imagery: distance + gendo’s office
neon genesis evangelion, dir. hideaki anno (1995)
recurring visual imagery: sleepover + aerial view
neon genesis evangelion, dir. hideaki anno (1995)
it’s been a while since i’ve dropped some freebies! here’s all 4 volumes of the official evangelion LINE stickers, full sized and transparent. feel free to use for just about anything.
all 167 stickers are sorted by character/pairing. this post will be updated if any new stickers are released – enjoy!
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fixation (german: fixierung) is a concept in human psychology to denote object relationships with and attachments to things in general persisting from childhood into adult life.
neon genesis evangelion, dir. hideaki anno (1995)
Anno Hideaki has often admitted to drawing much of his Evangelion inspiration from vintage UK sci-fi and media (check out the character comparisons charts for Gerry Anderson’s UFO or The Avengers British original, to name a few) but this one takes the cake.
katsuragis:
‘ ᴡᴇ ᴄᴀɴ ʙᴇ ᴀ ᴛʀɪᴏ ᴀɢᴀɪɴ ʟɪᴋᴇ ᴡᴇ ᴜsᴇᴅ ᴛᴏ ʙᴇ. ’
HOMEOSTASIS/TRANSISTATIS. ( listen )
a two-face for everyone in the threesome. an eight year long metamorphosis from budding friendship, to separation, to reunion, to betrayal, and then a final deceit. vague polyamorous undertones.